{"id":12,"date":"2023-10-13T15:32:04","date_gmt":"2023-10-13T15:32:04","guid":{"rendered":"https:\/\/homeschoolarama.com\/?page_id=12"},"modified":"2023-10-13T16:50:00","modified_gmt":"2023-10-13T16:50:00","slug":"web","status":"publish","type":"page","link":"https:\/\/homeschoolarama.com\/?page_id=12","title":{"rendered":"Web"},"content":{"rendered":"<!-- wp:themify-builder\/canvas \/-->\n\n<!--themify_builder_static--><h1>Resources<br\/><\/h1>\n<p><a href=\"http:\/\/arthurmillersociety.net\/\" target=\"_blank\" rel=\"noopener\">The Arthur Miller Society<\/a><\/p> <p><a href=\"https:\/\/arthurmillersociety.net\/journal\/\" target=\"_blank\" rel=\"noopener\"><em>The Arthur Miller Journal<\/em><\/a><\/p> <p><a href=\"https:\/\/arthurmillersociety.net\/recent-publications\/\" target=\"_blank\" rel=\"noopener\">Recent publications on Arthur Miller\u2019s works and legacy<\/a><\/p> <pre>\u00a0<\/pre>\n<h1>Publishers<br\/><\/h1>\n<p><a href=\"http:\/\/www.penguin.com\/author\/arthur-miller\/20634\" target=\"_blank\" rel=\"noopener\">Arthur Miller at Penguin Random House<\/a><\/p> <p><a href=\"https:\/\/www.loa.org\/writers\/194-arthur-miller\" target=\"_blank\" rel=\"noopener\">Arthur Miller at Library of America<\/a><\/p> <p><a href=\"http:\/\/www.bloomsbury.com\/ArthurMiller\" target=\"_blank\" rel=\"noopener\">Arthur Miller at Bloomsbury Publishing: Methuen Drama<\/a><\/p>\n<h1>Lecture<br\/><\/h1>\n<p><a href=\"http:\/\/www.neh.gov\/about\/awards\/jefferson-lecture\/arthur-miller-biography\" target=\"_blank\" rel=\"noopener\">Nat\u2019l Endowment for Humanities 2001 Jefferson Lecture: \u201cOn Politics &amp; the Art of Acting\u201d<\/a><\/p>\n<h1>Magnum Photos features<br\/><\/h1>\n<p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/arthur-miller-neighbor-and-friend\/\" target=\"_blank\" rel=\"noopener\">\u201cArthur Miller, Neighbor and Friend\u201d<\/a>\u00a0with text by\u00a0<a href=\"http:\/\/www.honormoore.com\/\" target=\"_blank\" rel=\"noopener\">Honor Moore<\/a><\/p> <p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/cinema\/magnum-on-set-the-crucible-inge-morath\/\" target=\"_blank\" rel=\"noopener\">\u201cMagnum On Set:\u00a0<em>The Crucible<\/em>\u00a0\u201d Inge Morath<\/a><\/p> <p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/cinema\/misfits-story-shoot-inge-morath-arthur-miller\/\" target=\"_blank\" rel=\"noopener\">\u201c<em>The Misfits<\/em>: Story of a Shoot\u201d\u00a0 Inge Morath<\/a><\/p> <p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/arthur-miller-inge-morath-country\/\" target=\"_blank\" rel=\"noopener\">\u201cArthur Miller and Inge Morath: In the Country\u201d<\/a><\/p> <pre>\u00a0<\/pre>\n<h1>Interviews: audio<br\/><\/h1>\n<p><a href=\"https:\/\/studsterkel.wfmt.com\/programs\/interview-arthur-miller-0\" target=\"_blank\" rel=\"noopener\">Studs Terkel interviews Arthur Miller: \u00a0On <em>\u2018Death of a Salesman\u2019\u00a0<\/em>in Beijing, 1984<\/a><\/p> <p><a href=\"https:\/\/freshairarchive.org\/segments\/arthur-miller-writes-his-memoirs\" target=\"_blank\" rel=\"noopener\">\u201cArthur Miller Writes His Memoirs\u201d \u2013 Fresh Air, NPR, 1987<\/a><\/p> <p><a href=\"https:\/\/www.92y.org\/archives\/92y-the-paris-review-interview-series-arthur-miller-with-christopher-bigsby\" target=\"_blank\" rel=\"noopener\">Arthur Miller with Christopher Bigsby: 92nd Street Y\u00a0<em>Paris Review<\/em>\u00a0interview, 1999<\/a>\u00a0(<a href=\"https:\/\/www.theparisreview.org\/interviews\/895\/the-art-of-theater-no-2-part-2-arthur-miller\" target=\"_blank\" rel=\"noopener\">with transcript excerpt<\/a>)<\/p> <pre>\u00a0<\/pre>\n<h1>Podcasts<br\/><\/h1>\n<p><a href=\"https:\/\/www.pbs.org\/wnet\/americanmasters\/podcast\/playwright-arthur-miller\/\" target=\"_blank\" rel=\"noopener\">American Masters Podcast: \u00a0The Playwright: Arthur \u00a0Miller, on\u00a0<em>The Crucible<\/em><\/a><\/p> <p><a href=\"https:\/\/arthurmillersociety.net\/podcasts\/\" target=\"_blank\" rel=\"noopener\">Arthur Miller Society Podcast series<\/a>: \u00a01)\u00a0<a href=\"https:\/\/www.buzzsprout.com\/1295477\/5929972-episode-1-interview-with-prof-sue-abbotson?play=true\" target=\"_blank\" rel=\"noopener\">Professor Sue Abbotson\u00a0<\/a><\/p>\n<h1>Interviews: print<br\/><\/h1>\n<p><a href=\"http:\/\/quod.lib.umich.edu\/cgi\/t\/text\/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0046.113;rgn=main;view=text;xc=1;g=mqrg\" target=\"_blank\" rel=\"noopener\"><em>Michigan Quarterly Review<\/em>, \u00a0Univ. of Michigan, April 2004, with director Mark Lamos<\/a><\/p> <p><a href=\"http:\/\/www.neh.gov\/about\/awards\/jefferson-lecture\/arthur-miller-interview\" target=\"_blank\" rel=\"noopener\"><em>Humanities<\/em>\u00a0with\u00a0National Endowment of the Humanities Chairman William Ferris, 2001<\/a><\/p> <p><a href=\"http:\/\/www.newyorker.com\/culture\/culture-desk\/walking-with-arthur-miller\" target=\"_blank\" rel=\"noopener\"><em>The New Yorker<\/em>, with critic John Lahr, in 1999<\/a>\u00a0(reprinted March 1, 2012)<\/p> <p><a href=\"http:\/\/bombmagazine.org\/article\/1821\/arthur-miller\" target=\"_blank\" rel=\"noopener\"><em>Bomb Magazine<\/em>, Fall 1994, with actor Ron Rifkin<\/a><\/p> <p><a href=\"http:\/\/www.theparisreview.org\/interviews\/4369\/the-art-of-theater-no-2-arthur-miller\" target=\"_blank\" rel=\"noopener\"><i>The Paris Review<\/i>, The Art of Theater, No. 2: \u00a0Summer 1966, with Olga Carlisle and Rose Styron<\/a><\/p> <pre>\u00a0<\/pre>\n<h1>Essays, reviews, and op-eds in The New York Times<br\/><\/h1>\n<ul> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-subsidized.html\" target=\"_blank\" rel=\"noopener\">Subsidized Theater<\/a>\u00a0(1947). \u00a0\u201cWe do have the playwrights. What we don\u2019t have is a Theatre.\u201d<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-common.html\" target=\"_blank\" rel=\"noopener\">Tragedy and the Common Man<\/a>\u00a0(1949).\u00a0\u201cI believe that the common man is as apt a subject for tragedy in its highest sense as kings were.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-birthsales.html\" target=\"_blank\" rel=\"noopener\">The \u2018Salesman\u2019 Has a Birthday<\/a>\u00a0(1950). \u201cThere is no limit to the expansion of the audience\u2019s imagination so long as the play\u2019s internal logic is kept inviolate.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-journey53.html\" target=\"_blank\" rel=\"noopener\">Journey to \u2018The Crucible\u2019<\/a>\u00a0(1953). \u00a0\u201c[T]he great rock, standing mum over the Bay, the splintered precipice on which the gibbet was built. The highway traffic endlessly, mindlessly humming at its foot, but up here the barrenness, the clinkers of broken stones, and the vast view of the bay; here hung Rebecca, John Proctor, George Jacobs\u2026\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-global.html\" target=\"_blank\" rel=\"noopener\">Global Dramatist<\/a>\u00a0(1957).\u00a0\u00a0\u201c[It] is remarkable how similar the fundamental preoccupations are around the world. The dilemmas of my characters turn out to be quite familiar elsewhere.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-rfk.html\" target=\"_blank\" rel=\"noopener\">Topics: On the Shooting of Robert Kennedy<\/a>\u00a0(1968).\u00a0\u201cHere is a people that would rather clutch hatred to its heart than stretch out a hand in brotherhood to the black man and the poor man. That is why there is violence.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-moon.html\" target=\"_blank\" rel=\"noopener\">On the Moon Landing<\/a>\u00a0(1969). \u00a0Consider the\u00a0\u201ctwo schools of thought on the moon landing. One heralds it as the start of a new Age of Discovery like the period that began in 1492. The other regards it as a distraction from social problems.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-hiding.html\" target=\"_blank\" rel=\"noopener\">Rip Van Winkle Spanish-Style<\/a>\u00a0(1972). A review of\u00a0Ronald Fraser\u2019s \u201cIn Hiding: The Life of Manuel Cortes . . . aspellbinding story of a man who concealed himself inside his own house for 30 years (1939-69) to avoid execution by the Franco regime.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-prayer.html\" target=\"_blank\" rel=\"noopener\">School Prayer: A Political Dirigible<\/a>\u00a0(1984).\u00a0\u201cOne looks, as they say, in vain across the world for an example of a country improved by the identification of its government with religion, which this new gimmick most definitely will do in the mind of the American child.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-anti.html\" target=\"_blank\" rel=\"noopener\">The Face in the Mirror: Anti-Semitism Then and Now<\/a>\u00a0(1984). \u00a0An essay adapted from the introduction to his novel, \u201cFocus\u201d:\u00a0\u201cIt is inevitable that one should wonder whether anything like the situation in this novel could recur, and it is a question no one can answer.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-strindberg.html\" target=\"_blank\" rel=\"noopener\">The Mad Inventor of Modern Drama<\/a>\u00a0(1985). \u00a0A\u00a0review of Olof Lagercrantz\u2019s biography of August Strindberg: \u201cLagercrantz does not stoop to sparing his subject and perhaps that is why, by the last chapters of his absorbing and profound biography of the great 19th-century Swedish author, the question of admiration or condemnation simply ceases to exist.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-tiananmen.html\" target=\"_blank\" rel=\"noopener\">Death in Tiananmen<\/a>\u00a0(1989). \u00a0\u201c[The] young Chinese, the future of China, are trying to keep alive the spirit that I was privileged to have seen awakening six years ago when the very idea of staging an American play in Beijing was close to incredible.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-drink.html\" target=\"_blank\" rel=\"noopener\">Again They Drink From the Cup of Suspicion<\/a>\u00a0(1989). \u00a0On a revival of \u201cThe Crucible\u201d: \u201cI did not write \u2018The Crucible\u2019 simply to propagandize against McCarthyism.\u201d\n<\/li> <li><a href=\"https:\/\/www.nytimes.com\/1990\/05\/06\/magazine\/uneasy-about-the-germans.html\" target=\"_blank\" rel=\"noopener\">Uneasy about the Germans<\/a>.\u00a0 (May 6, 1990)<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-executions.html\" target=\"_blank\" rel=\"noopener\">Get It Right. Privatize Executions.<\/a>\u00a0(1992).\u00a0Op-ed.\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-92yankee.html\" target=\"_blank\" rel=\"noopener\">We\u2019re Probably in an Art That Is \u2014 Not Dying\u00a0<\/a>(1993) Based on comments from\u00a0the 92nd St. Y:\u00a0 \u201cThe theater culture in this city has been dispersed. It\u2019s been going on for about 25 years now, and I think it has almost completed its devolution.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-privatize.html\" target=\"_blank\" rel=\"noopener\">Let\u2019s Privatize Congress<\/a>\u00a0(1995). \u00a0Op-ed.\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-salemoped.html\" target=\"_blank\" rel=\"noopener\">Salem Revisited<\/a>\u00a0(1998). \u00a0Op-ed concerning\u00a0President Clinton: \u201cDespite the lashings of almost all the press and the mullahs of the religious right, the people seem largely to have withheld their righteous anger. This did not happen in Salem.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-whyprice.html\" target=\"_blank\" rel=\"noopener\">The Past and Its Power: Why I Wrote \u2018The Price\u2019<\/a>\u00a0(1999).\u00a0\u00a0\u201c\u2018The Price\u2019. . .\u00a0a reaction to two big events that had come to overshadow all others in that decade. One was the seemingly permanent and morally agonizing Vietnam War, the other a surge of avant-garde plays that to one or another degree fit the absurd styles.\u201d<\/li> <\/ul><!--\/themify_builder_static-->","protected":false},"excerpt":{"rendered":"<p>Resources The Arthur Miller Society The Arthur Miller Journal Recent publications on Arthur Miller\u2019s works and legacy \u00a0 Publishers Arthur Miller at Penguin Random House Arthur Miller at Library of America Arthur Miller at Bloomsbury Publishing: Methuen Drama Lecture Nat\u2019l Endowment for Humanities 2001 Jefferson Lecture: \u201cOn Politics &amp; the Art of Acting\u201d Magnum Photos [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-12","page","type-page","status-publish","hentry","has-post-title","has-post-date","has-post-category","has-post-tag","has-post-comment","has-post-author",""],"builder_content":"<h1>Resources<br\/><\/h1>\n<p><a href=\"http:\/\/arthurmillersociety.net\/\" target=\"_blank\" rel=\"noopener\">The Arthur Miller Society<\/a><\/p> <p><a href=\"https:\/\/arthurmillersociety.net\/journal\/\" target=\"_blank\" rel=\"noopener\"><em>The Arthur Miller Journal<\/em><\/a><\/p> <p><a href=\"https:\/\/arthurmillersociety.net\/recent-publications\/\" target=\"_blank\" rel=\"noopener\">Recent publications on Arthur Miller\u2019s works and legacy<\/a><\/p> <pre>\u00a0<\/pre>\n<h1>Publishers<br\/><\/h1>\n<p><a href=\"http:\/\/www.penguin.com\/author\/arthur-miller\/20634\" target=\"_blank\" rel=\"noopener\">Arthur Miller at Penguin Random House<\/a><\/p> <p><a href=\"https:\/\/www.loa.org\/writers\/194-arthur-miller\" target=\"_blank\" rel=\"noopener\">Arthur Miller at Library of America<\/a><\/p> <p><a href=\"http:\/\/www.bloomsbury.com\/ArthurMiller\" target=\"_blank\" rel=\"noopener\">Arthur Miller at Bloomsbury Publishing: Methuen Drama<\/a><\/p>\n<h1>Lecture<br\/><\/h1>\n<p><a href=\"http:\/\/www.neh.gov\/about\/awards\/jefferson-lecture\/arthur-miller-biography\" target=\"_blank\" rel=\"noopener\">Nat\u2019l Endowment for Humanities 2001 Jefferson Lecture: \u201cOn Politics &amp; the Art of Acting\u201d<\/a><\/p>\n<h1>Magnum Photos features<br\/><\/h1>\n<p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/arthur-miller-neighbor-and-friend\/\" target=\"_blank\" rel=\"noopener\">\u201cArthur Miller, Neighbor and Friend\u201d<\/a>\u00a0with text by\u00a0<a href=\"http:\/\/www.honormoore.com\/\" target=\"_blank\" rel=\"noopener\">Honor Moore<\/a><\/p> <p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/cinema\/magnum-on-set-the-crucible-inge-morath\/\" target=\"_blank\" rel=\"noopener\">\u201cMagnum On Set:\u00a0<em>The Crucible<\/em>\u00a0\u201d Inge Morath<\/a><\/p> <p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/cinema\/misfits-story-shoot-inge-morath-arthur-miller\/\" target=\"_blank\" rel=\"noopener\">\u201c<em>The Misfits<\/em>: Story of a Shoot\u201d\u00a0 Inge Morath<\/a><\/p> <p><a href=\"https:\/\/www.magnumphotos.com\/arts-culture\/society-arts-culture\/arthur-miller-inge-morath-country\/\" target=\"_blank\" rel=\"noopener\">\u201cArthur Miller and Inge Morath: In the Country\u201d<\/a><\/p> <pre>\u00a0<\/pre>\n<h1>Interviews: audio<br\/><\/h1>\n<p><a href=\"https:\/\/studsterkel.wfmt.com\/programs\/interview-arthur-miller-0\" target=\"_blank\" rel=\"noopener\">Studs Terkel interviews Arthur Miller: \u00a0On <em>\u2018Death of a Salesman\u2019\u00a0<\/em>in Beijing, 1984<\/a><\/p> <p><a href=\"https:\/\/freshairarchive.org\/segments\/arthur-miller-writes-his-memoirs\" target=\"_blank\" rel=\"noopener\">\u201cArthur Miller Writes His Memoirs\u201d \u2013 Fresh Air, NPR, 1987<\/a><\/p> <p><a href=\"https:\/\/www.92y.org\/archives\/92y-the-paris-review-interview-series-arthur-miller-with-christopher-bigsby\" target=\"_blank\" rel=\"noopener\">Arthur Miller with Christopher Bigsby: 92nd Street Y\u00a0<em>Paris Review<\/em>\u00a0interview, 1999<\/a>\u00a0(<a href=\"https:\/\/www.theparisreview.org\/interviews\/895\/the-art-of-theater-no-2-part-2-arthur-miller\" target=\"_blank\" rel=\"noopener\">with transcript excerpt<\/a>)<\/p> <pre>\u00a0<\/pre>\n<h1>Podcasts<br\/><\/h1>\n<p><a href=\"https:\/\/www.pbs.org\/wnet\/americanmasters\/podcast\/playwright-arthur-miller\/\" target=\"_blank\" rel=\"noopener\">American Masters Podcast: \u00a0The Playwright: Arthur \u00a0Miller, on\u00a0<em>The Crucible<\/em><\/a><\/p> <p><a href=\"https:\/\/arthurmillersociety.net\/podcasts\/\" target=\"_blank\" rel=\"noopener\">Arthur Miller Society Podcast series<\/a>: \u00a01)\u00a0<a href=\"https:\/\/www.buzzsprout.com\/1295477\/5929972-episode-1-interview-with-prof-sue-abbotson?play=true\" target=\"_blank\" rel=\"noopener\">Professor Sue Abbotson\u00a0<\/a><\/p>\n<h1>Interviews: print<br\/><\/h1>\n<p><a href=\"http:\/\/quod.lib.umich.edu\/cgi\/t\/text\/text-idx?cc=mqr;c=mqr;c=mqrarchive;idno=act2080.0046.113;rgn=main;view=text;xc=1;g=mqrg\" target=\"_blank\" rel=\"noopener\"><em>Michigan Quarterly Review<\/em>, \u00a0Univ. of Michigan, April 2004, with director Mark Lamos<\/a><\/p> <p><a href=\"http:\/\/www.neh.gov\/about\/awards\/jefferson-lecture\/arthur-miller-interview\" target=\"_blank\" rel=\"noopener\"><em>Humanities<\/em>\u00a0with\u00a0National Endowment of the Humanities Chairman William Ferris, 2001<\/a><\/p> <p><a href=\"http:\/\/www.newyorker.com\/culture\/culture-desk\/walking-with-arthur-miller\" target=\"_blank\" rel=\"noopener\"><em>The New Yorker<\/em>, with critic John Lahr, in 1999<\/a>\u00a0(reprinted March 1, 2012)<\/p> <p><a href=\"http:\/\/bombmagazine.org\/article\/1821\/arthur-miller\" target=\"_blank\" rel=\"noopener\"><em>Bomb Magazine<\/em>, Fall 1994, with actor Ron Rifkin<\/a><\/p> <p><a href=\"http:\/\/www.theparisreview.org\/interviews\/4369\/the-art-of-theater-no-2-arthur-miller\" target=\"_blank\" rel=\"noopener\"><i>The Paris Review<\/i>, The Art of Theater, No. 2: \u00a0Summer 1966, with Olga Carlisle and Rose Styron<\/a><\/p> <pre>\u00a0<\/pre>\n<h1>Essays, reviews, and op-eds in The New York Times<br\/><\/h1>\n<ul> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-subsidized.html\" target=\"_blank\" rel=\"noopener\">Subsidized Theater<\/a>\u00a0(1947). \u00a0\u201cWe do have the playwrights. What we don\u2019t have is a Theatre.\u201d<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-common.html\" target=\"_blank\" rel=\"noopener\">Tragedy and the Common Man<\/a>\u00a0(1949).\u00a0\u201cI believe that the common man is as apt a subject for tragedy in its highest sense as kings were.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-birthsales.html\" target=\"_blank\" rel=\"noopener\">The \u2018Salesman\u2019 Has a Birthday<\/a>\u00a0(1950). \u201cThere is no limit to the expansion of the audience\u2019s imagination so long as the play\u2019s internal logic is kept inviolate.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-journey53.html\" target=\"_blank\" rel=\"noopener\">Journey to \u2018The Crucible\u2019<\/a>\u00a0(1953). \u00a0\u201c[T]he great rock, standing mum over the Bay, the splintered precipice on which the gibbet was built. The highway traffic endlessly, mindlessly humming at its foot, but up here the barrenness, the clinkers of broken stones, and the vast view of the bay; here hung Rebecca, John Proctor, George Jacobs\u2026\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-global.html\" target=\"_blank\" rel=\"noopener\">Global Dramatist<\/a>\u00a0(1957).\u00a0\u00a0\u201c[It] is remarkable how similar the fundamental preoccupations are around the world. The dilemmas of my characters turn out to be quite familiar elsewhere.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-rfk.html\" target=\"_blank\" rel=\"noopener\">Topics: On the Shooting of Robert Kennedy<\/a>\u00a0(1968).\u00a0\u201cHere is a people that would rather clutch hatred to its heart than stretch out a hand in brotherhood to the black man and the poor man. That is why there is violence.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-moon.html\" target=\"_blank\" rel=\"noopener\">On the Moon Landing<\/a>\u00a0(1969). \u00a0Consider the\u00a0\u201ctwo schools of thought on the moon landing. One heralds it as the start of a new Age of Discovery like the period that began in 1492. The other regards it as a distraction from social problems.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-hiding.html\" target=\"_blank\" rel=\"noopener\">Rip Van Winkle Spanish-Style<\/a>\u00a0(1972). A review of\u00a0Ronald Fraser\u2019s \u201cIn Hiding: The Life of Manuel Cortes . . . aspellbinding story of a man who concealed himself inside his own house for 30 years (1939-69) to avoid execution by the Franco regime.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-prayer.html\" target=\"_blank\" rel=\"noopener\">School Prayer: A Political Dirigible<\/a>\u00a0(1984).\u00a0\u201cOne looks, as they say, in vain across the world for an example of a country improved by the identification of its government with religion, which this new gimmick most definitely will do in the mind of the American child.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-anti.html\" target=\"_blank\" rel=\"noopener\">The Face in the Mirror: Anti-Semitism Then and Now<\/a>\u00a0(1984). \u00a0An essay adapted from the introduction to his novel, \u201cFocus\u201d:\u00a0\u201cIt is inevitable that one should wonder whether anything like the situation in this novel could recur, and it is a question no one can answer.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-strindberg.html\" target=\"_blank\" rel=\"noopener\">The Mad Inventor of Modern Drama<\/a>\u00a0(1985). \u00a0A\u00a0review of Olof Lagercrantz\u2019s biography of August Strindberg: \u201cLagercrantz does not stoop to sparing his subject and perhaps that is why, by the last chapters of his absorbing and profound biography of the great 19th-century Swedish author, the question of admiration or condemnation simply ceases to exist.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-tiananmen.html\" target=\"_blank\" rel=\"noopener\">Death in Tiananmen<\/a>\u00a0(1989). \u00a0\u201c[The] young Chinese, the future of China, are trying to keep alive the spirit that I was privileged to have seen awakening six years ago when the very idea of staging an American play in Beijing was close to incredible.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-drink.html\" target=\"_blank\" rel=\"noopener\">Again They Drink From the Cup of Suspicion<\/a>\u00a0(1989). \u00a0On a revival of \u201cThe Crucible\u201d: \u201cI did not write \u2018The Crucible\u2019 simply to propagandize against McCarthyism.\u201d\n<\/li> <li><a href=\"https:\/\/www.nytimes.com\/1990\/05\/06\/magazine\/uneasy-about-the-germans.html\" target=\"_blank\" rel=\"noopener\">Uneasy about the Germans<\/a>.\u00a0 (May 6, 1990)<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-executions.html\" target=\"_blank\" rel=\"noopener\">Get It Right. Privatize Executions.<\/a>\u00a0(1992).\u00a0Op-ed.\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-92yankee.html\" target=\"_blank\" rel=\"noopener\">We\u2019re Probably in an Art That Is \u2014 Not Dying\u00a0<\/a>(1993) Based on comments from\u00a0the 92nd St. Y:\u00a0 \u201cThe theater culture in this city has been dispersed. It\u2019s been going on for about 25 years now, and I think it has almost completed its devolution.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-privatize.html\" target=\"_blank\" rel=\"noopener\">Let\u2019s Privatize Congress<\/a>\u00a0(1995). \u00a0Op-ed.\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-salemoped.html\" target=\"_blank\" rel=\"noopener\">Salem Revisited<\/a>\u00a0(1998). \u00a0Op-ed concerning\u00a0President Clinton: \u201cDespite the lashings of almost all the press and the mullahs of the religious right, the people seem largely to have withheld their righteous anger. This did not happen in Salem.\u201d\n<\/li> <li><a href=\"http:\/\/www.nytimes.com\/books\/00\/11\/12\/specials\/miller-whyprice.html\" target=\"_blank\" rel=\"noopener\">The Past and Its Power: Why I Wrote \u2018The Price\u2019<\/a>\u00a0(1999).\u00a0\u00a0\u201c\u2018The Price\u2019. . .\u00a0a reaction to two big events that had come to overshadow all others in that decade. One was the seemingly permanent and morally agonizing Vietnam War, the other a surge of avant-garde plays that to one or another degree fit the absurd styles.\u201d<\/li> <\/ul>","_links":{"self":[{"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=\/wp\/v2\/pages\/12","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12"}],"version-history":[{"count":3,"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions"}],"predecessor-version":[{"id":61,"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=\/wp\/v2\/pages\/12\/revisions\/61"}],"wp:attachment":[{"href":"https:\/\/homeschoolarama.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}